Feminist Shtetl Horror: An Interview with Elizabeth Schwartz
Elizabeth Schwartz has had a wide-ranging career, from recipe books of Jewish food, to radio dramas such as The Witches of Lublin, to being one of the most acclaimed female Yiddish vocalists of a generation. Now, she has added yet another string to her bow with her new collection of horror novellas. The Sweet Fragrance of Life and Other…
“The horror feels like home”: an interview with Hugo Max
Hugo Max is a British-Austrian multi-hyphenate, with a career spanning music, film, and visual art. Among his most recent projects has been an extensive series of performances at UK cinemas, providing improvised viola scores to silent-era horror films. Among the ubiquitous films Hugo works with, such as Murnau’s Nosferatu and The Cabinet of Dr Caligari,…
Attachment (dir. Gabriel Bier Gislason, 2022)
JHR reviews Attachment, the new dybbuk film premiering at Tribeca Film Festival
Cannibalism (with Josh Schlossberg)
JHR goes audio with JOSH’S WORST NIGHTMARE
The Brood (dir. David Cronenberg, 1979)
JHR returns to In Review: Online to take an in-depth look at divorce, gender, and what makes great horror.
The Jewish Book of Horror
It’s here!
Andy Nyman & Jeremy Dyson’s Ghost Stories
JHR explores the most iconic Jewish-horror play since The Dybbuk for JewTh!nk.
British-Jewish Horror
Ever wondered where to start the search for British-Jewish horror? Maybe try checking out these six great films
The Vigil (dir. Keith Thomas, 2020)
It might not be perfect, but Keith Thomas’ The Vigil is a fresh, exciting new entry into the Jewish horror genre – and throws down a much-needed gauntlet for other creators
Jewish Horror Review 